A vote of thanks to ICW who stirred me from my intellectual torpor and organised our outing to the Birmingham Rep to see The Merchant of Venice 1936 last week. I like the Rep, a theatre where you are guaranteed comfort and an unobscured view.
You don't need me to tell you that The Merchant of Venice is a troublesome text. I last reviewed it in these pages on 26 May 2011 and my re-reading of that blog confirms that I enjoyed the production at the RSC. Merchant 1936 was better - a provocative pitching of the action into the East End of 1936 with Mosley's British Union of Fascists properly excoriated. even if the climactic political message goes mildly over the top. Tracy-Ann Oberman's female Shylock is forcefully rendered and I didn't mind at all the skilful editing of Shakespeare's text. At the end you are left pondering not only the disease of intolerance but also just how many wrongs can make a right.
And how nice to be in a full auditorium.
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