This is an example of the work of Julian Askins. For a lad brought up in Monmouthshire he doesn't half love bright colours. He is important because one of his limited edition prints (not the one shown but
Flourish 185/275) was the first picture I ever bought for Sharon. I remember driving through snow to his studio in Ruthin to collect it, a sort of long distance impulse buy. It hangs still on the chimney breast in our study. I love that picture. I feel good about why I bought it and who I bought it for. In among the mistakes and the stupidity one can get some things marvellously right.
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