Woody Allen's films can be mistaken as slight. They are not. Just as The Great Gatsby should not be judged by the number of pages, Allen's cinematic novellas should not be disdained as lacking the epic. He is a master of his own very particular craft.
Cafe Society is (another Allen characteristic) wistful and affectionate if still cynical. Allen scripts for Jesse Eisenberg exactly the sort of role he would have written for himself three decades ago. Eisenberg is very good. New York is at the heart of the film, or perhaps more accurately, New Yorkers are at the core. Los Angeles gets a mention and is beautifully shot (this is Allen's first venture into digital cinematography) but the characters get their full rounding when back in New York.
What Allen does, he does masterfully. This is a rather beautiful little film. 7.5/10.
Thursday, 13 July 2017
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