Cinema Paradiso

I have previously disclosed my misanthropic objection to attending cinemas. Modern home screen facilities are so good that there is little enough reason for me to mend my ways. But I accept that I ought to try. Anyway, enough of that and, via one of my characteristic diversions, I will tell you about two movies recently viewed.

But first that diversion. I am here on the island and sitting proud in the bookcase (note to self: we need a new bookcase) is my copy of Halliwell's Film Guide (2nd Edition), a present, I note from the inscription, from the Groupie on my twenty-third birthday. This was a long time ago. A very long time. I was musing (to myself, no one else listens) about the essay Leslie Halliwell appended to his edition titled The Decline and Fall of the Movie. Writing at the turn of the seventies into the eighties, Halliwell found himself dismayed at what he perceived as the film industry's collapse into self-indulgent meretriciousness. He had a point although his ambivalence about the early work of Martin Scorsese is a point of view from which I hasten to distance myself. Reading it again at this distance, I am pleased to be able to report that fine films are still being crafted. I'll give you a couple of examples (one of which pre-dates Halliwell's pessimistic essay) of good craftsmanship.

Young Winston (1972) tells (without being too hagiographic) the early life of Winston Churchill. It is engaging despite some  asides to camera (disguised as responses to an out-of-shot journo) that really don't work. Despite that it is, as Halliweel might have it, well crafted 62/100.

And now for something of a much higher order and a suitable riposte to Halliwell's pessimism - A picture that is concise, witty, amusing and provocative. And in case you protest - yes I know it's not intended to be accurate history. But it is clever (Stoppard and Norman wrote the script) and keeps you on your toes. We have, I suppose, to skate around the fact that it was produced by the odious Harvey Goldstein. 84/100.